劉別謙初嚐美高梅大製作的風流寡婦派頭，一切筆法更神采飛揚。風流寡婦開敞的風流寡婦場景、空前的風流寡婦排場讓人物裏裏外外恣意張開：寡婦的心更顯孤獨，男女的風流寡婦愛更加沒處安放。坐擁小國大部分財富的風流寡婦寡婦忽然要搬到巴黎重新尋找生活色彩，國王唯恐國祚不保來一招美男計，風流寡婦派出風流種子色誘寡婦。風流寡婦本來一個用情一個求性，風流寡婦幾番邂逅與折騰，風流寡婦改寫瞭男男女女的風流寡婦基本需要。歌與舞沒有賣弄甜膩，風流寡婦反而放在愛情的風流寡婦沉重中換來瞭歌頌。歌與影無間交流，風流寡婦劉別謙輕歌劇巔峰之作，風流寡婦亦成瞭荷裡活極有代表性的一章。司花利亞與珍娜．麥當奴最後一次合作，後者散發從未有過的成熟韻味。堪稱最性感的音樂劇。 Rated "the sexiest musical in the thirties", The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's "girls, girls, girls". Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls. Source: 28th HKIFF
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